Matlab Abdulali Oglu*
1Department of Chemical Engineering, India
2Department of Chemistry, India
*Corresponding author:Matlab Abdulali Oglu, Doctor of Philosophy in Philosophy, Associate Professor, Baku city, Azerbaijan
Submission: April 16, 2021; Published: April 27, 2021
ISSN 2639-0590Volum3 Issue1
The article is devoted to revealing the role of socio-cultural resources in the spatio-temporal historical context. There are three types of perception of the socio-cultural resources of historical experience: historical idealism, historical nihilism, historical realism. It is proposed to consider this approach as a tool for analyzing public consciousness, the degree of development of socio-cultural resources as an indicator of the society’s ability to self-development. Conclusions are drawn about a certain lack of deep self-assessment of national self-consciousness in modern Azerbaijani society.
Keywords: Socio-cultural resources; Historical experience; Self-esteem; Reflection; Expanse- time sufficiency
In the context of the current state of socio-cultural resources, its preservation and use,
consideration of all this heritage in a historical context is of very important urgent importance.
Almost every historical aspect of the development of sociocultural resources to one degree
or another, regardless of their scale and level, not only plays a socially significant function,
but is also aimed at solving historically important problems associated with the restoration
of the traditions and culture of certain societies, including the issues of preservation this
sociocultural environment in the unity of its natural landscape. Sociocultural resources,
relying on the internal values of culture (memory, creativity, tradition, etc.) and influencing
the dynamics of its further development, sometimes discard the historical aspect of the past
culture. It is no coincidence that a “renaissance” of interest in folklore has been outlined in the
works of modern researchers: “heritage” and “traditions”, along with “innovation”, become
the concepts around which scientific discussions unfold, which have not only theoretical
significance, but also practical application. The above makes the problem of studying historical
models of cultural heritage integration actual. Many scholars define “historical experience”
in different ways. For example, Alekseev [1] defines historical experience as “a concentrated
expression of the social practice of the past and the functioning of society in the environment,
focused on identifying the patterns of social development, on gaining knowledge that provides
an increase in the validity of solutions to modern problems”. Here, historical experience is
not just a memorial exhibit, it is a necessary, vital strategic resource of society, helping to
solve vital problems, to form effective programs of life. Historical experience is a necessary
component of social life, at the same time, its role (function) in society can be different: it can
act as a decisive factor or as an important, but not decisive factor in the complex texture of the
sociocultural life of society. This factor can enter as a component that consolidates society or
destroys it. Finally, historical experience can serve as a stimulus for the self-development of
society or as an obstacle to this kind of self-development. The role of historical experience in
a society is determined primarily by the attitude towards it prevailing in this society.
According to Yarkova [2] there are three main positions regarding the perception of
historical experience. The first of them can be designated as historical idealism, the second
- historical nihilism, the third - historical realism. Historical idealism enters here as an
attribute of traditional culture, the ideological basis of which is the attitude to the world
as an unshakable condition of human existence, as a set of requirements that must be met.
In essence, these requirements are nothing more than a tradition, and the latter, in turn, is some frozen, concentrated and sublimated historical experience.
For example, Guliev [3] defines a cultural tradition as a group
experience expressed in socially organized stereotypes, which
is accumulated and reproduced in various human collectives by
means of expanse-time transmission. Abasov [4] synonym for
traditional culture is post-figurative culture, which is characterized
as a culture that is alien to awareness and doubts about the existing
historical experience.
Nihilism is an attribute of the intercivilizational era, when
“complete dismantling of the previous civilization” is carried
out [5,6]. At the same time, a nihilistic attitude to the world is
not associated with a denial of the world, but with a denial of
the ideas of the sociocultural value foundations of the world
that have historically developed in a particular society, that is,
ultimately, a denial of historical experience. This is how Heidegger
[7] understands the nihilistic attitude to the world: “Nihilism is a
process of devaluation of the former supreme values. When these
supreme values, which for the first time give value to all existence,
are depreciated, the existence that rests on them is deprived of value.
There is a feeling of worthlessness, insignificance of everything”.
Nihilism is decomposition, the disintegration of the value order
that has developed in culture, the chaotization of culture. Of course,
a new order can subsequently grow out of nihilistic chaos, therefore
nihilism can be viewed as a kind of prerequisite for value creation,
creativity, nevertheless, the latter lies beyond the boundaries of
nihilism. Of course, this point of view differs from those prevailing
in philosophy, in particular from the point of view of Nietzsche [5]
and Heidegger [7] who see in “classical nihilism” a phenomenon
associated not only with the denial of old values, but also with the
establishment of new ones [8]. Something similar can be found in
modern religious movements calling for a complete renunciation
of previous religious and cultural values (ISIS, Al-Qaeda, etc.). This
includes some researchers who distinguish between destructive
and constructive nihilism and argue that nihilism is “a factor that
transforms culture and society” [6]. However, if you follow strict
logic, nihilism is an attitude towards denial, destruction, but not
towards affirmation and creation. Nihilistic denial sets a precedent
for a critical attitude to historical experience. Of course, this
criticism can hardly be called constructive, moreover, it often does
not contain an analytical, let alone a reflexive attitude, but it is in
the expanse of a nihilistic attitude to historical experience that the
transition from unconditional apologetics to criticism and partial
revision of historical experience, its revision takes place. The
period is not far off when, along with extremist organizations (“Red
Spring” in France, “Red Brigades” in Italy), there were still such
peace-loving movements as “Red Roses”, hippies, etc. Nietzsche
[5] writes about his critical attitude to history: “A person must
have and from time to time use the power to break and destroy
the past in order to be able to live on; he achieves this goal by
bringing the past to the court of history, subjecting the latter to
the most thorough interrogation and, finally, passing judgment
on him” [6]. Nevertheless, historical nihilism in its radical form
is socially unconstructive since it makes a person and society
completely unarmed in the face of emerging problems. Denial of
historical experience turns into the transformation of the trial-anderror
method into a universal strategy for solving problems, and
this strategy is far from always effective. In addition, the frozen,
solidified nihilistic chaos can turn into a kind of order that makes
up the semantic fabric of being (the formation of ISIS). At the level
of society, this means entering a dead-end branch of evolution, that
is, social regression that turns society into a crowd. The negativism
inherent in nihilism is especially prominent in the personal and
psychological aspect. For example, Reich [9] defined nihilism as
“character neurosis”, “character armor” inherent in individuals of
a pathological organization. Modern psychology interprets nihilism
as one of the mechanisms of psychological defense - an unreflected
attitude towards an emphasized denial of established sociocultural
norms and rules to demonstrate their uniqueness [10]. The denial
of all authorities is a way of proving one’s worth, a conscious or
unconscious desire to satisfy the needs for respect from others,
recognition, achievement of success, and high appreciation.
However, individual nihilism, unlike social nihilism, is more stable
and viable, since it is not nihilism in its pure form, it is a conscious
or unconscious utilitarianism, since denial is not a goal for it, but a
means of self-affirmation [11,12]. In essence, idealism and nihilism
in relation to historical experience can be seen as two sides of the
same coin. Historical nihilism, in turn, contains the potential of
idealism, because, rejecting the past, it idealizes the present and the
future. A realistic attitude to historical experience is characterized
by the actualization of a critical-analytical approach to historical
experience. The latter arises because of the development of
reflection as in Jaspers [13] - “the ability of thinking to make
thinking its subject” [13], that is, a special ability to rise above one’s
historical experience and look at it from a critical and analytical
height. The basic principle of this kind of design is the principle of
finding a certain “golden mean”, a measure between tradition and
innovation, past and future, historical experience, and modernity.
Moreover, this search is not a one-time action, but a process
directed towards the future. Akhiezer [12] considers the criticism of
historical experience as an aspect of history itself, associated with
the revision of the goals and conditions of human development to
change the subject of history, its reproductive functions [14]. This
kind of criticism, in his vision, is ultimately aimed at the driving
forces of history, at mass activity, the corresponding culture, the
level and scale of creativity [12].
The worldview basis for this kind of worldview is set by
the concept of the noosphere, within which the human mind is
manifested as a creative force that changes the appearance of our
planet and the nearest expanse, which is designed to reconstruct
the biosphere in the interests of the thinking majority [15]. This
kind of perception of the world lies at the origins of the creative
attitude to historical experience, which is viewed not as a rigid
structure that must be entered into or that must be destroyed, but
as scaffolding that creates a support for creative creation, without
which creativity would degenerate into empty fruitless fantasy.
Self-actualization, according to Maslow [16], is the realization of
the creative potential of an individual - her abilities, capabilities,
talents, the achievement of personal maturity and psychological health. In essence, the presence or absence in a particular society
of a realistic attitude to historical experience is an important
indicator of the ability of this society to self-development [17-19].
The historical experience of a society is formed from the historical
experience of its members; therefore, it is not a homogeneous, but
heterogeneous formation [20]. An example of this is the modern
Russian society, whose historical memory and the very attitude
to the historical past are heterogeneous. In the modern scientific
community, two positions prevail regarding the assessment of the
past - historical idealism (“varnishing” attitude) and historical
nihilism (defamatory attitude). This is especially true of the Soviet
past: some consider the Soviet period “dark ages”, wasted by time,
Soviet power - anti-popular, totalitarian, practicing a policy of
genocide in relation to its own people; others see the Soviet period
as a “golden age,” Soviet power as the embodiment of humanity,
social justice and freedom. As a matter of fact, Berdyaev [18] noted
a tendency towards dualism in assessing various phenomena,
who wrote a lot about the dualism of a human character (meaning
the citizens of tsarist Russia) and its pernicious influence on the
historical fate of the people. He argued that the inconsistency of
the consciousness of these citizens leads to the fact that society
lives an “inorganic life”, there is no integrity and unity in it [20].
And today Azerbaijan and Azerbaijanis are often viewed as in
contradictions within the line of national character. The fact is that
in the development of the Azerbaijani society, the “middle culture”
has not been fully formed.
According to Akhiezer [19] definition, “middle culture”
is “cultural innovation, new meanings obtained as a result of
mediation, as a result of overcoming the differences of the dual
opposition in the subject being comprehended, searching for a new
measure between the meanings of the poles by means of creatively
building up a new content of culture, beyond the original opposition
... All new content of culture, new meanings are formed through the
formulation of molecules of culture, through the middle culture”
[19]. This has always manifested itself in periods of socio-political
refraction of society, on the eve of great socio-political upheavals.
In this regard, Gobozov [21] remark that science should not play
along with the wishes of the authorities seems to be fair [19].
The dualism of the historical consciousness of modern citizens,
the underdevelopment of a realistic position in relation to the
historical past makes it problematic to raise society to new levels
of self-organization that meet the requirements of the present.
Overcoming the obsession with the idealistic-nihilistic perception
of historical experience is ultimately a task simultaneously moral,
political, economic, etc. And this burden falls on the shoulders of
the national intellectual, creative elite. For example, the famous
literary critic Jafarov [20] defines classical Azerbaijani literature as
a significant enclave of the formation of an advanced socio-cultural
environment in Azerbaijan. He considers the work of MS Ordubadi
as the beginning of understanding the history of Azerbaijan from
the standpoint of the socio-cultural environment [20]. The role
of representatives of Russian historical science in solving this
problem is no less significant, since it is they who have a decisive
voice in the formation of the historical worldview of the masses:
“Each nation forms a certain archetype throughout its entire
history, and as long as this archetype exists, the people continue
to live and work. ... But the formation of an archetype is impossible
without historical memory, and the presence of this memory
largely depends on historians. If they represent history as a chain of
continuous mistakes and crimes of previous generations, then the
new generation will form an exclusively negative attitude towards
their own past. And this new generation will eventually dissolve
into other nations. Therefore, historians have a huge responsibility
for the formation of the historical worldview” [21].
Summing up our reasoning about historical experience, the
types of its perception, about the creative role of a realistic, but not
idealistic or nihilistic perception of historical experience, we can
state that historical experience, of course, is not a book of useful
advice and not a guide to the labyrinths of life, rather it can be
designated as knowledge, information on the general laws of life
of a particular people and humanity as a whole. This information
is also valuable in that it, to one degree or another, contributes to
paving the way to the future, opens up possibilities for its modeling
[22]. The latter seems to be extremely important, since “to predict
at least to some extent the future means to be able to influence it
[23]. In fact, tomorrow the winner will be the one who turns out
to be the best futurologist” [24]. Of course, modeling the future
is achievable only on condition of a realistic attitude to historical
experience. Only such an attitude towards it is a guarantee of
the fulfillment of the main function of historical experience as a
sociocultural institution - the function of ensuring the survival of
the community.
© 2021 Matlab Abdulali Oglu. This is an open access article distributed under the terms of the Creative Commons Attribution License , which permits unrestricted use, distribution, and build upon your work non-commercially.